Guest Lecture – Mike Harding – Touch

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Blog post by Senior Lecturer Dr Dean Lockwood.

On Friday 18th October, Mike Harding, founder and supremo of Touch, came to LSM to talk to Audio Production students taking the critical studies module, Auditory Culture. Given that some of the key concerns of the module are debates around the concepts of noise and the soundscape, it was a great opportunity to talk to someone intimately involved with a label which has specialized in promoting artists exploring precisely these areas. As quickly became clear, Touch has a philosophical orientation which propels it way beyond the narrow exigencies of the music industry. Touch has always been conceived as an art project rather than simply a label. Because of its obsessively experimental ethos, it has survived pretty much on its own terms and has never fit well with the complacent mainstream and its genre categories. As Mike explained, Touch was established in the early eighties in the wake of punk. Capitalizing on the energies generated by the so-called ‘New Wave’ independent scene, Touch was a key post-punk project, its first releases heavily involved in early cassette culture and the ‘mixtape’ phenomenon. With cassette magazines such as Feature Mist and Ritual: Magnetic North, Touch presented sophisticated cut-ups and powerful work by bands such as New Order, Einstürzende Neubauten and Cabaret Voltaire, as well as musics from around the world (before such a thing as ‘World Music’ existed). ‘No one ever said no’, which stands as a great testament to the label’s reputation and integrity. Mike took us, in the first part of his talk, through the early history of Touch, spicing things up with personal anecdotes, and in the second part addressed Touch’s present concerns. It is the home of artists such as Christian Fennesz, Bruce Gilbert, Ryoji Ikeda and Chris Watson. Mike played us a good selection of pieces which some of these artists have put out on Touch. These artists have in common, I would suggest, what we might term an ecological sensibility, a particular attention to the relations which comprise acoustic space, sometimes through glitch aesthetics, sometimes through field recordings or other means.

On Saturday 19th, Touch presented two world premieres at Lincoln Cathedral as part of the Frequency festival. The evening, after Mike’s introduction, commenced with Anna Von Hausswolff’s performance of an austere, resonant new score for the organ, titled Källan. Chris Watson and Hildur Guðnadóttir then presented a stunning new collaborative multi-channel sound work, titled Sönghellir (The Cave of Song), which I think captivated everyone present. Touch’s website describes the work as ‘a sound journey from under the waters of Faxafloi, Iceland, alongside some of the largest animals on the planet. Up, onto the lava beach, across the lava fields and reindeer moss to the foot of the snow mountain, Snaefellsnes. The journey continues up and then into the mountain, ending inside Sönghellir, the song cave…’ It was a perfect example of the art of acoustic space that Touch releases exemplify.

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50 Years Of The Cassette

Neneh Cherry looks at the role of the cassette in music history including the role of the tape in hip hop in the 80s.

In the 80s Britain was a nation in love with the cassette. At its peak we bought 83 million and the cassette became more popular than vinyl. Then came the runaway success of digital music with formats such as the iPod and the MP3 player and the eject button was pressed on sales of the cassette.

6 Music Celebrates: 50 Years of the Cassette with an hour’s show looking back at the format’s role in music from the early days of hip hop, through the legendary NME C86 Indie compilation tape, the 80s slogan “Home Taping is Killing Music”, to compilations, mixtapes and fond memories of the cassette.

The programme features contributions from artists including Grandmaster Flash, DJ Shadow, The Black Keys, Kings of Leon, The Kills, Friends, Django Django, The Shins, Mike Skinner, Beach House, Foals, The Cribs, The Pastels, The Manics, Mike Smith, David Toop, Neneh Cherry and a tiny label called the Tapeworm, who still produce cassette-only releases

Listen to the 6 Music programme here

LONDON 2012 – how ELBOW created the Olympics Theme

This is a great insight into how Elbow went about probably their most challenging brief.

“Go into a studio and come up with a global Olympic theme”. It starts with a brass fanfare where the first five notes relate to the five Olympic Rings. It’s a call to attention. The choir was introduced to make it more ‘everyman’. It will become another familiar BBC sporting theme which will be remembered by a generation. Though as Elbow’s Guy Garvey admits, “It’s never going to be as good as ‘Ski Sunday’ theme is it?

Mercury Prize-winning group Elbow have spoken about how they created their anthem for the BBC’s Olympics coverage.
Entitled First Steps, the new piece was recorded with the BBC Philharmonic Orchestra and the NovaVox gospel choir.

watch the
Behind the scenes film here

First Steps is accompanied by an animation produced at Passion Pictures, showing the landscape of the United Kingdom transformed into a giant sporting arena inside the Olympic Stadium.

Guy Garvey and therest of the band spoke to the BBC about their inspiration for the music and the recording process, and the video’s designer explained how he created the look of the graphics.

 

 

 

The track will be available as a digital download only.

 

 

The trailer has been devised around the concept of “Stadium UK” and cleverly uses animation to transform the United Kingdom into a sporting hub where athletes prepare and compete in the Olympic Games. Exchanging swimming pools for the English Channel, running tacks for the streets of Britain and gymnastic apparatus for famous London landmarks.

ICE T, on Rap, Hip Hop and a new Documentary

In a nutshell- history of Rap, Hip hop & Break Dancing

This explanation caught my ear. Rapper Ice T was talking about his new documentary Something from nothing, about how when the New York state school system was being cut back, and there were no musical instruments available in schools, kids took the record player and turned it into an instrument, how using the breaks in the tracks became popular with MC’s on the decks, which in turn led to Break Dancing. The MC’s then started working with Rappers and so the story continued.

Listen to this extract of Ice T from BBC Radio 4’s Front Row, where he very succinctly explains the origins of hip-hop.
 

American musician and performer Ice-T has directed a cinema documentary Something From Nothing: The Art of Rap in which he talks to leading performers including Snoop Dogg, Dr Dre and Eminem about the culture of hip-hop. Ice-T discusses the origins of the music, and its continuing influence.

The Storyline is as follows

SOMETHING FROM NOTHING: THE ART OF RAP is a feature length performance documentary about the runaway juggernaut that is Rap music. At the wheel of this unstoppable beast is the film’s director and interviewer Ice-T. Taking us on a deeply personal journey Ice-T uncovers how this music of the street has grown to dominate the world. Along the way Ice-T meets a whole spectrum of Hip-Hop talent, from founders, to new faces, to the global superstars like Eminem, Dr Dre, Snoop Dogg and Kanye West. He exposes the roots and history of Rap and then, through meeting many of its most famous protagonists, studies the living mechanism of the music to reveal ‘The Art Of Rap’. This extraordinary film features unique performances from the entire cast, without resorting to archive material, to build a fresh and surprising take on the phenomenon that is Rap.

see a BBC video about the documentary here http://www.bbc.co.uk/news/uk-politics-17853254

You can Follow Something from Nothing – The Art of Rap on Facebook

and on IMdB here http://www.imdb.com/title/tt2062996/