Guest Lecture – Mark Hills – Sound Engineer

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Blog post by L3 Audio Production students Jack Webber.

This week we were fortunate enough to receive a guest Lecture from Mark Hills, a Lincoln University Media Production Graduate and sound engineer in a highly reputable audio post-production house in Soho, London called Soho Square Studios. Soho Square studios are a Dolby approved studio and focus on audio post production for Advertisement, animations, feature films, and voice recordings for games.

Mark began the lecture talking a bit about his background and how he got to where he is now. He explained how similarly to most sound designers he fell in love with electronic music at an early age. He took media at A-Levels and then became a Lincoln University Media Production Undergraduate in 2007.
I won’t go too much in to detail about his background as he has personally blogged about it, this can be found here.

Mark then talked about the challenges of getting into this industry and working in a studio like Soho Square Studios. He explained the importance of ‘running’ and how although we have (will have) a degree, we will still be expected to start from the bottom as runners. He explained how it’s better to go for a running job at a smaller studio with around 10-15 people, as the opportunity to grow, learn and promotion is higher. Whereas the larger companies, you could find yourself being a runner for many years and not get anywhere.

He also gave us some advice for our CVs. He said that the studio aren’t always that interested in how many student films you’ve worked on, what they want to know is, if you have a degree; and have some real work experience. What he meant by that is customer focused work experience e.g. working in a pub. The studio likes this as it shows you can deal with, and work well with clients.

The Lecture gave a great insight to what it’s like working in an industry we are all passionate about, but also gave us all a bit of a reality check in regards to the amount of work it takes to get to his position. This was a slightly different approach than most guest lectures give, however I felt like it was good for us to get a bit of a reality check to push us more to where we want to go.

The day after this lecture myself and another AP student, Matt Jones went to London and visited Soho Square Studios to interview Mark and his manager Tom Mackewn for research in our R&D case study module. We arrived at the Studio and saw Mark in action finishing up a session, where we were quite impressed by the speed of his Pro tools skills. He then gave us a tour of some of the studio rooms and showed us some of his previous work.

When we interviewed Mark, we asked questions about his role as sound engineer and what he does day-to-day etc. I was interested to find out how the working hours were 9am to 6pm Monday to Friday, as most creative industries involve working unsociable hours. He told us that they don’t have ‘official lunch breaks’ and work around their daily schedules to fit in lunch, and also about some of the perks of the job – he said how he loved being able to do a hobby for a job and that you get to work with some amazing high status people.

win an online mixing session at Abbey Road

AVID/PRO Tools COMPETITION

Win an Abbey Road mix/mastering session and Pro Tools® system
The Beatles. Adele. U2. Lady Gaga. Ready to add your name to that list?
Avid have partnered with Abbey Road—one of the world’s most famous recording studios—to help artists and musicians make music history.
they’re looking for one great song, chosen by a panel of industry heavyweights, to win an online mixing and mastering session at Abbey Road and a Pro Tools|HD Native system.

Enter now for your chance to win the industry’s respect, fan exposure, plus free gear from Avid and a mix/mastering session from Abbey Road, adding up to a value of over $7,000.

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Get heard, get discovered, and break through.
Judge’s Choice
Three winners, as chosen by the judges, will receive:
Their song/track mixed and mastered by Abbey Road’s online services (worth $1,300)
A Pro Tools|HD Native system with Pro Tools HD 10 software and an HD OMNI interface (worth $5,999) each
Exposure across Avid’s website and social online channels

People’s Choice
The highest voted artist will receive:
An Mbox Pro audio interface with Pro Tools 10 software (worth $999)
Exposure across Avid’s website and social online channels

Get Involved
Submit by: March 13, 2013, 10 am PDT
Vote: March 14, 2013, – March 21, 2013,
Winners Announced: April 10, 2013

Producing a music radio package

WATCH THE VIDEO CLIP HERE

USEFUL ARTICLE/VIDEO about producing a music radio package from the BBC College of Production

A radio package is pre-recorded audio content cut together to tell a story and delivered for broadcast. There are no set rules as to how a package has to sound or how long it should last as this depends on the type of story you are telling and the radio network it is for. It could be a five minute news report, a lively film review or an in-depth biography of a composer.

Depending on what type of package you are producing it may include voiceover, interviews, ‘wild track’ (sounds from the environments where you are recording), music and effects.